The Atomos Sumo 19-inch HDR Monitor Recorder gives you a large, bright LCD with 4K recording capabilities. This version comes ready to accept Gold Mount batteries (not included). Key features include:
1920 × 1200 touchscreen HDR display
4K HDMI and 12G-SDI inputs/outputs
4K up to 60p/1080p up to 240 fps
Gold Mount ready
AtomHDR Display. The Atomos Sumo’s monitor features a wide 10-stop dynamic range and a 10-bit signal processor, making it capable of mapping log footage, PQ, and HLG video feeds from popular cameras, game consoles, and TV manufacturers into vibrant HDR in real time.
Daylight-Viewable Screen. By taking advantage of the monitor’s full 1200 cd/m² brightness, you can use the Sumo in the brightest of outdoor environments without requiring a hood.
HDMI and SDI Interfaces. The Atomos Sumo offers full-size HDMI and SDI input and output ports, so that you can easily connect and convert among any combination of HDMI 2.0 and SDI (Quad 3G/6G/12G). The Quad SDI inputs support cameras with multiple 1.5 or 3G-SDIoutputs without converters. The HDMI 2.0 supports up to DCI 4K and UHD input and output and HDR automation, which includes the importing of camera settings. You also get Genlock and LTC timecode support.
Pro Recording. Capture the raw data output from the Sony FS5, FS7, or FS700; the Canon C300 Mark II or C500; or the Panasonic VariCam LT over 12-bit DCI 4K in Cinema DNG, 10-bit Apple ProRes, or 10-bit Avid DNxHR formats. The Sumo’s high processing power lets it maintain the camera’s quality, with data rates up to 3.2 Gbps.
Built-In XLR Audio. The Sumo’s built-in full-size XLR connections can power external mics, giving you balanced analog audio, dedicated meters, and frame-delay and gain adjustments. Phantom-powered mics and line-level audio are seamlessly synchronized, which means you don’t have to worry about matching in post. You can use the 3.5mm stereo headphone jack and built-in speakers for easy review.
Gold Mount. This version of the Atomos Sumo includes (2) Anton Bauer Gold Mount battery plates. To help keep cost down and give you the most flexibility, we do not include any Gold Mount batteries or chargers with the rental. However, we do have a variety to choose fromthat are available to rent separately.
Constant Power. You get two 4-pin XLR inputs for power, so that the Sumo can automatically switch power sources if one stops providing power. The Sumo also supports hot-swappable battery power via the included battery plates (batteries / charger not included).
Versatile Use. The Sumo is essentially a jack-of-all trades, whether that’s out in the field on a DITcart, setup as a 1st AC monitor / Director’s monitor, or in the studio for the editing workflow. Whatever your needs, there’s a good chance it will excel. We include the standard desktop feet for tabletop use, as well as a Matthews VESA Monitor Mount for use on C-stand (not included).
Video cables not included! With there being so many different variations of HDMI and SDI cables you could possibly need depending on your rig, we've elected to not bundle any video cables with the rental. However, here are links our available cables: HDMI Cables & SDI Cables
While quad-input recording and switching are supported on paper, it’s more difficult to set up than Atomos’ documentation makes it seem. We don’t yet carry the accessories necessary to make it work, so we can’t recommend this product as a switcher.
|Audio Signal Level||
Maximum: +24 dBu
10-bit (8-bit plus FRC)
2.5" (without stand), 7.1" (with stand)
19 in./48 cm IPScapacitive touchscreen
> 90 dB
Maximum Analog Gain: +52 dB
2/8-channel, 24-bit (camera dependent)
12.2" (without stand), 13" (with stand)
1x HDMI Type A, v2.0; 3x BNC, HD/3G-SDI; 1x BNC, HD/3G/6G/12G-SDI; 2x XLR, balanced analog audio with 48 V phantom power
Monitoring and Recorder
3D LUT (.cube file format)
|Master Caddy Dock||
Interface: 2.5" SATAto USB 2.0/3.0
1/4"-20: 4x top, 4x bottom, 2x side; 3/8"-16: 2x top, 2x bottom, 1x side; VESAmount on rear
1x HDMI Type A, v2.0; 1x BNC, HD/3G/6G/12G-SDI; 1x 3.5 mm, stereo headphone
24/25/30 psf to 24/25/30p (2:2 pulldown); 60i to 24p (3:2 pulldown)
New Products and New Products
4K: 2.5" SSD; HD High Frame Rate (50/60/120p): 2.5" SSD; 2.5" HDD (7200 rpm and up) for 1080p 50/60; HD (30p and less): 2.5" SSD; 2.5" HDD (5400 rpm and up)
HDMI: Auto HDMItrigger; Supported Protocols: Canon, Sony, Atomos; Open Standard; SDI: SDItrigger camera selectable; LANC:Supports slave configuration
1920 × 1200
Up to 12-channel, 24-bit, 48 kHz
Final Cut Pro X/7+, Avid Media Composer 5.0+, Adobe Premiere 5.5+, Grass Valley EDIUS 6.0+, Sony Vegas Pro 10+, Lightworks, Autodesk Smoke 2015
|Supported Video Formats||
Apple ProRes: HQ, 422, LT; AVID DNxHR:HQX, HQ, SQ, LB; 4096 × 2160 24/25/30/50/60; 3840 × 2160 24/25/30/50/60; 1080p 24/25/30/50/60/100/120/200/240; 1080i 50/60; 720p 50/60; Canon (C300 mk2, C500) Cinema-DNGRaw: 4096 × 2160 24/25/30; 3840 × 2160 24/25/30; Raw to ProRes/DNx: 4096 × 2160 24/25/30; 3840 × 2160 24/25/30; Panasonic (VariCam LT, VariCam35) Cinema-DNG Raw: 4096 × 2160 24/25/30; 3840 × 2160 24/25/30; Raw to ProRes/DNx: 4096 × 2160 24/25/30; 3840 × 2160 24/25/30; Sony (FS5, FS7 with XDCA-FS7, FS700) Cinema-DNGRaw: 4096 × 2160 24/25/30; 2048 × 1080 24/25/30/50/60/100/120; Raw to ProRes/DNx: 4096 × 2160 24/25/30/50/60; 2048 × 1080 24/25/30/50/60/100/120/240
|Supported Video Signals||
Input: 8/10-bit 4:2:2 (dependent on video source); Output: 8/10-bit 4:2:2 (dependent on video source)
|Video Aspect Ratio||
|Video Signal Conversion||
HDMI to SDI: 4096 × 2160 24/25/30/50/60; 3840 × 2160 24/25/30/50/60; 1080p 24/25/30/50/60/100/120; 1080i 50/60; 720p 50/60; SDI to HDMI: 4096 × 2160 24/25/30/50/60; 3840 × 2160 24/25/30/50/60; 1080p 24/25/30/50/60/100/120; 1080i 50/60; 720p 50/60
12.3 lbs. (without batteries, stand, and media), 13.7 lbs. (with batteries, stand, and media)
19.8" (without stand), 19.8" (with stand)
FCPX XML native, FCP7/Adobe supported with conversion