Are you sure you want to do this?


Who should we e-mail when a
Atomos Sumo 19-inch HDR Monitor Recorder w/ V-Mount
becomes available?

Want to add more than this item? Head to our waitlist builder


Atomos Sumo 19-inch HDR Monitor Recorder w/ V-Mount

Gear Arrives On
Ships Back On
? ? ?
? ? ?

4 Day Rental Price:



*up to 2nd day air - overnight available

The Atomos Sumo 19-inch HDR Monitor Recorder gives you a large, bright LCD with 4K recording capabilities. This version comes ready to accept V-Mount batteries (not included). Key features include:

  • 1920 × 1200 touchscreen HDR display

  • 4K HDMI and 12G-SDI inputs/outputs

  • 4K up to 60p/1080p up to 240 fps

  • V-Mount ready

AtomHDR Display. The Atomos Sumo’s monitor features a wide 10-stop dynamic range and a 10-bit signal processor, making it capable of mapping log footage, PQ, and HLG video feeds from popular cameras, game consoles, and TV manufacturers into vibrant HDR in real time.

Daylight-Viewable Screen. By taking advantage of the monitor’s full 1200 cd/m² brightness, you can use the Sumo in the brightest of outdoor environments without requiring a hood.

HDMI and SDI Interfaces. The Atomos Sumo offers full-size HDMI and SDI input and output ports, so that you can easily connect and convert among any combination of HDMI 2.0 and SDI (Quad 3G/6G/12G). The Quad SDI inputs support cameras with multiple 1.5 or 3G-SDIoutputs without converters. The HDMI 2.0 supports up to DCI 4K and UHD input and output and HDR automation, which includes the importing of camera settings. You also get Genlock and LTC timecode support.

Pro Recording. Capture the raw data output from the Sony FS5, FS7, or FS700; the Canon C300 Mark II or C500; or the Panasonic VariCam LT over 12-bit DCI 4K in Cinema DNG, 10-bit Apple ProRes, or 10-bit Avid DNxHR formats. The Sumo’s high processing power lets it maintain the camera’s quality, with data rates up to 3.2 Gbps.

Built-In XLR Audio. The Sumo’s built-in full-size XLR connections can power external mics, giving you balanced analog audio, dedicated meters, and frame-delay and gain adjustments. Phantom-powered mics and line-level audio are seamlessly synchronized, which means you don’t have to worry about matching in post. You can use the 3.5mm stereo headphone jack and built-in speakers for easy review.

V-Mount. This version of the Atomos Sumo includes (2) V-Mount battery plates. To help keep cost down and give you the most flexibility, we do not include any V-Mount batteries or chargers with the rental. However, we do have a variety to choose from that are available to rent separately.

Constant Power. You get two 4-pin XLR inputs for power, so that the Sumo can automatically switch power sources if one stops providing power. The Sumo also supports hot-swappable battery power via the included battery plates (batteries / charger not included).

Versatile Use. The Sumo is essentially a jack-of-all trades, whether that’s out in the field on a DITcart, setup as a 1st AC monitor / Director’s monitor, or in the studio for the editing workflow. Whatever your needs, there’s a good chance it will excel. We include the standard desktop feet for tabletop use, as well as a Matthews VESA Monitor Mount for use on C-stand (not included).

Video cables not included!  With there being so many different variations of HDMI and SDI cables you could possibly need depending on your rig, we've elected to not bundle any video cables with the rental.  However, here are links our available cables: HDMI Cables & SDI Cables

While quad-input recording and switching are supported on paper, it’s more difficult to set up than Atomos’ documentation makes it seem. We don’t yet carry the accessories necessary to make it work, so we can’t recommend this product as a switcher.


  • Atomos Sumo Monitor/Recorder
  • (4) Master Caddy II (empty)
  • BattWing mounting bracket
  • (2) V-Mount battery plates
  • (2) 20" D-Tap to XLR4 cables
  • Matthews monitor mount
  • (2) Desktop feet
  • Hardware kit
  • AC Power supply
  • Hard case w/custom insert
Audio Signal Level

Maximum: +24 dBu

Battery Type


Bit Depth

10-bit (8-bit plus FRC)




1200 cd/m²

Color Gamut

REC. 709


2.5" (without stand), 7.1" (with stand)

Display Type

19" / 48cm IPScapacitive touchscreen

Dynamic Range

> 90 dB


Maximum Analog Gain: +52 dB


2/8-channel, 24-bit (camera dependent)


12.2" (without stand), 13" (with stand)


(1) HDMI Type A, v2.0; (3) BNC, HD/3G-SDI; (1) BNC, HD/3G/6G/12G-SDI; (2) XLR, balanced analog audio with 48 V phantom power

Item Type

Monitoring and Recorder

LUT Support

3D LUT (.cube file format)

Master Caddy Dock

Interface: 2.5" SATAto USB 2.0/3.0

Monitoring Type


Mount Types

1/4"-20: 4 x top, 4 x bottom, 2 x side 3/8"-16: 2 x top, 2 x bottom, 1 x side VESAmount on rear


(1) HDMI Type A, v2.0; (1) BNC, HD/3G/6G/12G-SDI; (1) 3.5 mm, stereo headphone

Power Consumption

75 W

Pulldown Conversion

24/25/30PsF to 24/25/30p (2:2 pulldown); 60i to 24p (3:2 pulldown)

Recommended For

New Products and New Products

Recording Media

4K: 2.5" SSDHD High Frame Rate (50/60/120p): 2.5" SSD; 2.5" HDD (7200 rpm and up) for 1080p 50/60; HD (30p and less): 2.5" SSD; 2.5" HDD (5400 rpm and up)

Remote Control

HDMI: Auto HDMItrigger; Supported Protocols: Canon, Sony, Atomos; Open Standard; SDI: SDItrigger camera selectable; LANC:Supports slave configuration


1920 × 1080


Up to 12-channel, 24-bit, 48 kHz

Supported Applications

Final Cut Pro X/7+, Avid Media Composer 5.0+, Adobe Premiere 5.5+, Grass Valley EDIUS 6.0+, Sony Vegas Pro 10+, Lightworks, Autodesk Smoke 2015

Supported Video Formats

Apple ProRes: HQ, 422, LT; AVID DNxHR:HQX, HQ, SQ, LB 4096 × 2160 24/25/30/50/60; 3840 × 2160 24/25/30/50/60; 1080p 24/25/30/50/60/100/120/200/240; 1080i 50/60; 720p 50/60; Canon (C300 mk2, C500) Cinema-DNGRaw: 4096 × 2160 24/25/30; 3840 × 2160 24/25/30; Raw to ProRes/DNx: 4096 × 2160 24/25/30; 3840 × 2160 24/25/30; Panasonic (VariCam LT, VariCam35) Cinema-DNG Raw: 4096 × 2160 24/25/30; 3840 × 2160 24/25/30; Raw to ProRes/DNx: 4096 × 2160 24/25/30; 3840 × 2160 24/25/30; Sony (FS5, FS7 with XDCA-FS7, FS700) Cinema-DNGRaw: 4096 × 2160 24/25/30 2048 × 1080 24/25/30/50/60/100/120 Raw to ProRes/DNx: 4096 × 2160 24/25/30/50/60; 2048 × 1080 24/25/30/50/60/100/120/240

Supported Video Signals

Input: 8/10-bit 4:2:2 (dependent on video source); Output: 8/10-bit 4:2:2 (dependent on video source)

Video Aspect Ratio

Native: 16:9

Video Signal Conversion

HDMI to SDI: 4096 × 2160 24/25/30/50/60; 3840 × 2160 24/25/30/50/60; 1080p 24/25/30/50/60/100/120; 1080i 50/60; 720p 50/60; SDI to HDMI: 4096 × 2160 24/25/30/50/60; 3840 × 2160 24/25/30/50/60; 1080p 24/25/30/50/60/100/120; 1080i 50/60; 720p 50/60


14.4 VDC


12.3 lbs. (without batteries, stand, and media), 13.7 lbs. (with batteries, stand, and media)


19.8" (without stand), 19.8" (with stand)

XML Support

FCPX XML native, FCP7/Adobe supported with conversion